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Among the Bourgeoisophobes: Why the Europeans and Arabs, each in their
own way, hate America and Israel.
by David Brooks
AROUND 1830, a group of French artists and intellectuals looked around
and noticed that people who were their spiritual inferiors were running
the world. Suddenly a large crowd of merchants, managers, and traders
were making lots of money, living in the big houses, and holding the key
posts. They had none of the high style of the aristocracy, or even the
earthy integrity of the peasants. Instead, they were gross. They were
vulgar materialists, shallow conformists, and self-absorbed philistines,
who half the time failed even to acknowledge their moral and spiritual
inferiority to the artists and intellectuals. What's more, it was their
very mediocrity that accounted for their success. Through some screw-up
in the great scheme of the universe, their narrow-minded greed had
brought them vast wealth, unstoppable power, and growing social prestige.
Naturally, the artists and intellectuals were outraged. Hatred of the
bourgeoisie became the official emotion of the French intelligentsia.
Stendhal said traders and merchants made him want to "weep and vomit at
the same time." Flaubert thought they were "plodding and avaricious."
Hatred of the bourgeoisie, he wrote, "is the beginning of all virtue." He
signed his letters "Bourgeoisophobus" to show how much he despised
"stupid grocers and their ilk."
Of all the great creeds of the 19th century, pretty much the only one
still thriving is this one, bourgeoisophobia. Marxism is dead.
Freudianism is dead. Social Darwinism is dead, along with all those theories
about racial purity that grew up around it. But the emotions and reactions
that Flaubert, Stendhal, and all the others articulated in the 1830s
are still with us, bigger than ever. In fact, bourgeoisophobia, which has
flowered variously and spread to places as diverse as Baghdad,
Ramallah, and Beijing, is the major reactionary creed of our age.
This is because today, in much of the world's eyes, two peoples--the
Americans and the Jews--have emerged as the great exemplars of undeserved
success. Americans and Israelis, in this view, are the money-mad
molochs of the earth, the vulgarizers of morals, corrupters of culture, and
proselytizers of idolatrous values. These two nations, it is said,
practice conquest capitalism, overrunning poorer nations and exploiting
weaker neighbors in their endless desire for more and more. These two
peoples, the Americans and the Jews, in the view of the bourgeoisophobes,
thrive precisely because they are spiritually stunted. It is their
obliviousness to the holy things in life, their feverish energy, their
injustice, their shallow pursuit of power and gain, that allow them to build
fortunes, construct weapons, and play the role of hyperpower.
And so just as the French intellectuals of the 1830s rose up to despise
the traders and bankers, certain people today rise up to shock,
humiliate, and dream of destroying America and Israel. Today's
bourgeoisophobes burn with the same sense of unjust inferiority. They experience the
same humiliation because there is nothing they can do to thwart the
growing might of their enemies. They rage and rage. Only today's
bourgeoisophobes are not just artists and intellectuals. They are as likely to be
terrorists and suicide bombers. They teach in madrassas, where they are
careful not to instruct their students in the sort of practical
knowledge that dominates bourgeois schools. They are Muslim clerics who incite
hatred and violence. They are erudite Europeans who burn with
humiliation because they know, deep down, that both America and Israel possess a
vitality and heroism that their nations once had but no longer do.
Today the battle lines are forming. The dispute over Palestine, which
was once a local conflict about land, has been transformed into a great
cultural showdown. The vast array of bourgeoisophobes--Yasser Arafat's
guerrilla socialists, Hamas's Islamic fundamentalists, Jose Bove's
anti-globalist leftists, America's anti-colonial multiculturalists, and the
BBC's Oxbridge mediacrats--focus their diverse rages and resentments on
this one conflict.
The bourgeoisophobes have no politburo. There is no bourgeoisophobe
central command. They have no plausible strategy for victory. They have
only their nihilistic rage, their envy mixed with snobbery, their snide
remarks, their newspaper distortions, their conspiracy theories, their
suicide bombs and terror attacks--and above all, a burning sense that
the rising, vibrant, and powerful peoples of America and Israel must be
humiliated and brought low.
BOURGEOISOPHOBIA is really a hatred of success. It is a hatred held by
people who feel they are spiritually superior but who find themselves
economically, politically, and socially outranked. They conclude that
the world is diseased, that it rewards the wrong values, the wrong
people, and the wrong abilities. They become cynical if they are soft inside,
violent if they are hard. In the bourgeoisophobe's mind, the people and
nations that do succeed are not just slightly vulgar, not just
over-compensated, not just undeservedly lucky. They are monsters, non-human
beasts who, in extreme cases, can be blamelessly killed. This Manichaean
divide between the successful, who are hideous, and the
bourgeoisophobes, who are spiritually pristine, was established early in the emergence
of the creed. The early 19th-century German poet Holderlin couldn't
just ignore the merchant bourgeoisie; he had to declare the middle classes
"deeply incapable of every divine emotion." In other words, scarcely
human.
Holderlin's countryman Werner Sombart later wrote a quintessential
bourgeoisophobe text called "Traders and Heroes," in which he argued that
there are two basic human types: "The trader approaches life with the
question, what can you give me? . . . The hero approaches life with the
question what can I give you?" The trader, then, is the selfish
capitalist who lives a meager, artificial life amidst "pocket-watches,
newspapers, umbrellas, books, sewage disposal, politics." The hero is the total
man, who is selfless, vital, spiritual, and free. An honest person
might ascribe another's success to a superior work ethic, self-discipline,
or luck--just being in the right place at the right time and possessing
the right skills. A normal person might look at a rich and powerful
country and try to locate the source of its vitality, to measure its human
and natural resources, its freedom, its institutions and social norms.
But for the bourgeoisophobe, other people's success is never legitimate
or deserved. To him, success comes to those who worship the golden
calf, the idol, the Satanic corrupter, gold.
When bourgeoisophobes describe their enemies, they almost always
portray them as money-mad, as crazed commercialists. And this vulgar
materialism, in their view, has not only corrupted the soul of the bourgeoisie,
but through them threatens to debase civilization itself and the whole
world. It threatens, in the words of the supreme bourgeoisophobe, Karl
Marx, to take all that is holy and make it profane.
Some of the more pessimistic bourgeoisophobes come to believe that the
worst is already at hand. "Our poor country lies in Roman decadence,"
the French conservative poet Arthur de Gobineau lamented in 1840. "We
are without fiber or moral energy. I no longer believe in anything. . . .
MONEY HAS KILLED EVERYTHING." (A great place to read bourgeoisophobe
writing is Arthur Herman's "The Idea of Decline in Western History."
Bourgeoisophobia is not Herman's theme, but his book does such a
magnificent job of surveying two centuries of pessimistic thought that most of
the key bourgeoisophobes are quoted.)
And once the bourgeoisophobes had experienced the basic spasm of
reaction, they soon settled on the Americans and Jews as two of the chief
objects of their ire. Because, as Henry Steele Commager once noted, no
country in the world ever succeeded like America, and everybody knew it.
And no people in the European experience ever achieved such sustained
success as the Jews.
So the Jews were quickly established in the bourgeoisophobe imagination
as the ultimate commercial people. They were the bankers, the traders,
the soulless and sharp dealmakers who crawled through the cellars of
honest and noble cultures and infected them with their habits and
practices. The 19th-century Teutonic philosopher Houston Chamberlain said of
the Jews that "their existence is a crime against the holy laws of
life." The Jewish religion, he said, is "rigid," "scanty," and "sterile."
The American bourgeoisophobe family, the Adamses, contained more than
its share of anti-Semites. Brooks Adams lamented that "England is as
much governed by the Jews of Berlin, Paris and New York as the native
growth." Adams compared the Jews to a vast syndicate and declared simply,
"They control the world." Henry Adams protested against the interlocked
power of "Wall Street, State Street and Jerusalem." Later, the English
historian Arnold Toynbee argued that the Jews, with their "consummate
virtuosity in commerce and finance," had infected Western civilization
with a crass materialism. Through their arrogance and viciousness, they
were responsible for capitalism, godless communism, and the Holocaust,
and so had contributed to Europe's decline.
It's actually amazing how early America, too, was stereotyped as a
money-grubbing commercial land and Americans a money-grubbing people.
Francois La Rochefoucauld-Liancourt, who traveled in the United States in
the 1790s, declared, "The desire for riches is their ruling passion." In
1805, a British visitor observed, "All men there make [money] their
pursuit." "Gain! Gain! Gain! Gain! Gain!" is how the English philosopher
Morris Birbeck summarized the American spirit a few years later. In 1823
William Faux wrote that "two selfish gods, pleasure and gain, enslave
the Americans." Fourteen years after that, the disillusioned Russian
writer Mikhail Pogodin lamented, "America, on which our contemporaries
have pinned their hopes for a time, has meanwhile clearly revealed the
vices of her illegitimate birth. She is not a state, but rather a trading
company."
Each wave of foreign observers reinforced the prejudice. Charles
Dickens described a country of uncouth vulgarians frantically chasing, as he
first put it, "the almighty dollar." Oswald Spengler worried that
Germany would devolve into "soulless America," with its worship of
"technical skill, money and an eye for facts." Matthew Arnold worried that
global forces would Americanize England. "They will rule [Britain] by their
energy but they will deteriorate it by their low ideas and want of
culture." By 1904, people around the world were worrying about American
cultural hegemony. In that year the German writer Paul Dehns wrote an
influential essay called "The Americanization of the World." "What is
Americanization?" Dehns asked. "Americanization in its widest sense,
including the societal and political, means the uninterrupted, exclusive, and
relentless striving after gain, riches and influence."
In the 20th century the Americans' aggressive commercialism was
symbolized by the unstoppable spread of jeans, Coca-Cola, McDonald's, Disney,
and Microsoft. America, in the bourgeoisophobes' eyes, is the land of
Bart Simpson, boy bands, boob jobs, and "Baywatch." The land of money
and guns. Of insincere smiles and love handles. So by the time Osama bin
Laden came along, hatred of America was well rehearsed, a finished
product just waiting for him to pick it up. In 1998 bin Laden declared war
on "the crusader-Jewish alliance, led by the United States and Israel."
He added, "Since I was a boy I have been at war with and harboring
hatred towards the Americans." He was only echoing Toynbee, who 30 years
earlier said, "The United States and Israel must be today the two most
dangerous of the 125 sovereign states among which the land surface of
this planet is at present partitioned."
FOR THE bourgeoisophobe, then, the question becomes, how does one
confront this menace? And on this, the bourgeoisophobes split into two
schools. One, which might be called the brutalist school, seeks to reclaim
the raw, masculine vitality that still lies buried at the virile heart
of human nature. The other, which might be called the ethereal school,
holds that a creative minority can rise above prosaic bourgeois life
into a realm of contemplation, feeling, art, sensibility, and spiritual
grace.
The brutalist school started in Germany, more or less with Nietzsche.
In "Thus Spake Zarathustra," Nietzsche has a character declare that he
is turning his back on the whole world of degenerate "flea-beetles," the
ones who spend their lives "higgling and haggling for power with the
rabble." Salvation instead is found in the will to power. The Ubermensch
possesses force of will. He can thus be "a mighty . . . hammer" who
will smash, "break and remove degenerate and decaying races to make way
for a new order of life."
The brutalists urged sons--"the explosive ones"--to revolt against
their fathers. They romanticized insanity as a rebellion against
convention. They looked back nostalgically to the crude, savage, and proud men of
Homeric legend, Germanic history, and Norse myth. They looked for
another such hero to emerge today, a virile warrior who would demolish the
stale encrustations of an overcivilized world and revive the raw energy
of the species. "We do not need ideologues anymore," Oswald Spengler
argued, "we need hardness, we need fearless skepticism, we need a class
of socialist master men." This, of course, was the path that led to
Mussolini, Hitler, Saddam Hussein, and bin Laden.
Meanwhile, the ethereal bourgeoisophobes were emerging in Paris and
later London and the United States. They argued that people in decaying
cultures should not try to reclaim their former economic and military
power. It was wiser to accept the decline of their worldly power and
embrace the contemplative virtues. Toynbee acknowledged that Europe's
virile, self-assertive days were over. Europeans would have to choose between
spending their money on comfortable welfare states and spending it on
militaristic "war-making states." They could not afford both. He
predicted (in 1926) that they would choose welfare states--and be forced to
accept being "dwarfed by the overseas world which [Europe] herself had
called into existence."
The Europeans should therefore turn inward. As Arthur Herman notes, the
human ideal Toynbee described looks a lot like Toynbee himself:
"diffident, sensitive, religious in a contemplative and otherworldly sense, a
man who shuns the world of violence and barbarism to pursue the
'etherealization' of himself and society." Toynbee denounced patriotism,
commercial striving, and the martial spirit. Artists and intellectuals, the
"creative minority," should lead until "the majority is drilled into
following the minority's lead mechanically."
Though Toynbee despised the United States, his books sold well here.
His lecture tours were lucrative, and his picture was on the cover of
Time magazine. When Hitler came along, Toynbee was an enthusiastic
appeaser. He met Hitler in 1936 and came away deeply impressed (the two men
hated some of the same things). He told his countrymen that Hitler
sincerely desired peace. For, just as the brutalist school of
bourgeoisophobia led to Hitler and Saddam, the ethereal school led to Neville
Chamberlain and some of the European reaction to George Bush's Axis of Evil.
SINCE SEPTEMBER 11, there has been a great deal of analysis of the
roots of Muslim rage. But to anybody familiar with the history of
bourgeoisophobia, it is striking how comfortably Muslim rage meshes with
traditional rage against meritocratic capitalism. The Islamist fanatic and the
bourgeoisophobe hate the same things. They use the same words, they
utter the same protests. In an essay in the New York Review of Books
called "Occidentalism," Avishai Margalit and Ian Buruma listed the traits
that enrage al Qaeda and other Third World anti-Americans and
anti-Westerners. First, they hate the city. Cities stand for commerce, mixed
populations, artistic freedom, and sexual license. Second, they hate the
mass media: advertising, television, pop music, and videos. Third, they
hate science and technology--the progress of technical reason, mechanical
efficiency, and material know-how. Fourth, they hate prudence, the
desire to live safely rather than court death and heroically flirt with
violence. Fifth, they hate liberty, the freedom extended even to mediocre
people. Sixth, they despise the emancipation of women. As Margalit and
Buruma note, "Female emancipation leads to bourgeois decadence." Women
are supposed to stay home and breed heroic men. When women go out into
the world, they deprive men of their manhood and weaken their virility.
If you put these six traits together, you have pretty much the pillars
of meritocratic capitalist society, practiced most assertively in
countries like America and Israel. Contemporary Muslim rage is further
inflamed by two additional passions. One is a sense of sexual shame. A rite
of passage for any bourgeoisophobe of this type is the youthful trip to
America or to the West, where the writer is nearly seduced by the
vulgar hedonism of capitalist life, but heroically spurns it. Sayyid Qutb,
who is one of the intellectual heroes of the Islamic extremists, toured
America between 1948 and 1950. He found a world of jazz, football,
movies, cars, and people obsessed with lawn maintenance. It was a land, he
wrote, "hollow and full of contradictions, defects and evils." At one
point Qutb found himself at a church social. The disc jockey put on
"Baby, It's Cold Outside." As Qutb wrote, "The dancing intensified. . . .
The hall swarmed with legs. . . . Arms circled arms, lips met lips,
chests met chests, and the atmosphere was full of love." This was at a
church social. You can imagine how the September 11 al Qaeda hijackers must
have felt during the visit they made to a Florida strip club shortly
before going off to their purifying martyrdom.
The second inflaming passion is humiliation--humiliation caused by the
fact that in the 1960s and 1970s, many Arab and Muslim nations tried to
join this bourgeois world. They tried to modernize, and they failed.
Some Arab countries continue to pursue the low and dirty modernizing
path, continue to ape the sordid commercialists and even to accept the
presence of American troops on Arabian soil. And this drives the hard-core
Islamic bourgeoisophobes to even higher states of rage. As bin Laden
himself notably put it, protesting the presence of American troops on
Saudi land: "By God, Muslim women refuse to be defended by these American
and Jewish prostitutes." The Islamist response to humiliation has been
worship of the Muslim man of force. Islamist extremists romanticize the
brutal warrior, just as the German bourgeoisophobes did, only the
Islamists wear robes and clutch Korans. Like European and Japanese
brutalists before them, the Islamists celebrate violence and build a cult of
suicide and death. "The Americans love Pepsi-Cola, we love death,"
declared al Qaeda's Mualana Inyadullah after September11. Jews "love life more
than any other people, and they prefer not to die," declared Hamas
official Ismail Haniya on March 28 amidst a rash of suicide bombings.
THE BRUTALIST bourgeoisophobia of the Islamic extremists is pretty
straightforward. The attitudes of European etherealists are quite a bit
more complicated. Europeans, of course, are bourgeois themselves, even
more so in some ways than Americans and Israelis. What they distrust about
America and Israel is that these countries represent a particularly
aggressive and, to them, unbalanced strain of bourgeois ambition. No
European would ever acknowledge the category, but America and Israel are
heroic bourgeois nations. The Israelis are driven by passionate Zionism to
build their homeland and make it rich and powerful. Americans are
driven by our Puritan sense of calling, the deeply held belief that we
Americans have a special mission to spread our way of life around the globe.
It is precisely this heroic element of ordinary life that Europeans
lack and distrust.
So the Europeans are all ambivalence. The British historian J.H. Plumb
once declared that he loved America (and he was indeed a great defender
of the United States), but even his admiration for the country "was
entangled with anger, anxiety and at times flashes of hate." In his
infuriatingly condescending and ultimately appreciative portrait "America,"
the French modernist Jean Baudrillard wrote, "America is powerful and
original; America is violent and abominable. We should not seek to deny
either of these aspects, nor reconcile them."
But Europeans do seek to deny them--because they simply can't remember
what it's like to be imperially confident, to feel the forces of
history blowing at one's back, to have heroic and even eschatological
aspirations. Their passions have been quieted. Their intellectual guides have
taught them that business is ignoble and striving is vulgar. Their
history has caused them to renounce military valor (good thing, too) and to
regard their own relative decline as a sign of greater maturity and
wisdom. The European Union has a larger population than the United States,
and a larger GDP--and its political class has tried to construct an
institutional architecture that will enable it to rival America. But the
imperial confidence is gone, along with the youthful sense of limitless
possibility and the unselfconscious embrace of ordinary striving.
So their internal engine is calibrated differently. They look with
disdain upon our work ethic (the average American works 350 hours a
year--nearly nine weeks--longer than the average European). They look with
disdain upon what they see as our lack of social services, our relatively
small welfare state, which rewards mobility and effort but less
gracefully cushions misfortune. They look with distaste upon our commercial
culture, which favors the consumer but does not ease the rigors of
competition for producers. And they look with fear upon our popular culture,
which like some relentless machine seems designed to crush the local
cultures that stand in its way.
To European bourgeoisophobes, America is the radioactive core of what
Ignacio Ramonet, editor and publisher of Le Monde Diplomatique, recently
called "The Other Axis of Evil" in a front-page essay. It controls the
IMF and the World Bank, the institutions that reward the rich and
punish the poor, Ramonet claimed. American institutions such as the Heritage
Foundation, the American Enterprise Institute, and the Cato Institute
promulgate the ideology that justifies exploitation, he continued. The
American military provides the muscle to force-feed economic liberalism
to the world.
They look at us uncomprehendingly when our leaders declare a global
assault on terror and evil. They see us as a mindless Rambo, a Mike Tyson
with rippling muscles and no brain. Where the Islamists see us as a
decadent slut, the European etherealists see us as a gun-slinging cowboy.
The Islamists think we are too spoiled and comfortable, the Europeans
think we are too violent and impulsive. Each side's view of us is a mix
of Hollywood images (Marilyn Monroe for the Islamists, John Wayne for
the Europeans), mass-media distortions, envy-driven stereotypes, and
self-justifying delusions. But each side's vision springs from a deeper
bourgeoisophobia--the prejudice that people who succeed in worldly
affairs must be morally and intellectually backward. This article of faith
governs the way even many sophisticated Europeans and Muslims react to
us.
AFTER SEPTEMBER 11, there was a widespread fear in Europe and in
certain American circles that the United States would lash out violently and
pointlessly. In fact, the United States has never behaved this way. It
was slow to respond to Pearl Harbor; it was too timid in its responses
to the USS Cole and other attacks. But to many Europeans, who must
believe in our mindless immaturity in order to look themselves in the
mirror each morning, it was obvious that the United States would shoot first
and think afterwards.
These Europeans have assigned themselves the self-flattering role of
being Athens to our Rome. That's what all the talk about
coalition-building is about; the mindless American car dealer with the big guns should
allow himself to be guided by the thoughtful European statesman, who is
better able to think through the unintended consequences of any action,
and to understand the darker complexities. Much European commentary
about America since September 11 has had a zoological tone. The American
beast did not know that he was vulnerable to attack (we Europeans have
long understood this). The American was traumatized by this discovery.
The American was overcompensating with an arms build-up that was
pointless since, with his gigantisme militaire, he already had more weapons
than he could ever need.
Furthermore, the American doesn't see the deeper causes of terrorism,
the poverty, the hopelessness. America should really be spending more
money on foreign aid (it's interesting that Europeans, who are supposed
to be less materialistic than we are, inevitably think more money can
solve the world's problems, while Americans tend to point to religion or
ideas).
"What America never takes a moment to consider is that, despite its
mightiness, it is a young country with much to learn. It had no real
direct experience of the First and Second World Wars," declared a writer in
the New Statesman, echoing a sentiment that one heard across the
Continent as well. America, many Europeans feel, has no experience with the
Red Brigades, the IRA, the Basque terrorists. Americans have no
experience with Afghanistan. The dim boobies have no idea what sort of
instability they are about to cause. They will go marching off as they always
do, naively confident of themselves, yet inevitably unaware of the harm
they shall do. Much of the reaction, in short, has been straight out of
Graham Greene's novel "The Quiet American." The hero of that book,
Alden Pyle, is a well-intentioned, naive, earnest manchild who dreams of
spreading democracy but only stirs up chaos. "I never knew a man who had
better motives for all the trouble he caused," one of the characters
says about him. Much of the European intellectual response to the
American war has less to do with actual evidence than with figures from
literature and the mass media. Sometimes you get the impression that the only
people who took the images of Rambo, the Lone Ranger, and Superman
seriously were the European bourgeoisophobes who needed cliches to hate.
When the etherealized bourgeoisophobe goes to practice politics, he
instinctively dons the pinstripes of the diplomat. Diplomacy fits his
temperament. It demands subtlety instead of clarity, self-control instead
of power, patience instead of energy, nuance instead of restlessness.
Diplomacy is highly formal, highly elitist, highly civilized. Most of
all, it is complex. Complexity is catnip to the etherealized
bourgeoisophobe. It paralyzes brute action, and justifies subtle and basically
immobile gestures, calibrations, and modalities. Bourgeoisophobes have a
simple-minded faith that whatever the problem is, the solution requires
complexity. Any decisive effort to change the status quo--to topple
Saddam, to give up on Arafat, to foment democracy in the Arab world--will
only make things worse.
We Americans have our own bourgeoisophobes, of course. If I pulled from
my shelves all the books about the moral backwardness of the
enterprising middle classes, I could stack them to the ceiling. I could start
with the works of the Transcendentalists, then move through Dreiser,
Mencken, Sherwood Anderson, and Sinclair Lewis. Then we could skim swiftly
through all the books that bemoan the moral, cultural, and intellectual
vapidity of suburbanites, students, middle managers, and middle
Americans: "Babbitt," "The Man in the Gray Flannel Suit," "The Souls of Black
Folk," "The Lonely Crowd," "The Organization Man," "The Catcher in the
Rye," "The Cultural Contradictions of Capitalism," "The Affluent
Society," "Death of a Salesman," "Soul on Ice," "The Culture of Narcissism,"
"Habits of the Heart," "The Closing of the American Mind," "Earth in
the Balance," "Slouching Towards Gomorrah," "Jihad vs. McWorld," just
about every word ever written by Kevin Phillips and Michael Moore, and
just about every novel of the last quarter century, from "Rabbit is Rich"
through "The Corrections." It's a Mississippi flood of pessimism. As
Catherine Jurca recently wrote in "White Diaspora: The Suburb and the
Twentieth-Century American Novel," "As a body of work, the suburban novel
asserts that one unhappy family is a lot like the next, and there is no
such thing as a happy family."
The pessimism falls into several categories. There is straightforward,
left-wing bourgeoisophobia from writers who think commercial culture
has ravaged our souls. Then there is the right-wing variant that says it
has made us spiritually flat, and so turned us into comfort-loving Last
Men. Then there is the conservative pessimism that purports to be a
defense of the heroic bourgeois culture America embodies while actually
showing little faith in it. Writers of this school argue that the solid
capitalist values America once possessed have been corrupted by
intellectual currents coming out of the universities--as if the meritocratic
capitalist virtues were such delicate flowers that they could be
dissolved by the acid influence of Paul de Man.
It all adds up to a lot of dark foreboding, and after September 11, it
doesn't look that impressive. The events of the past several months
have cast doubt on a century of mostly bourgeoisophobe cultural pessimism.
Somehow the firemen in New York and the passengers on Flight 93 behaved
like heroes even though they no doubt lived in bourgeois homes, liked
Oprah, shopped at Wal-Mart, watched MTV, enjoyed their Barcaloungers,
and occasionally glanced through Playboy. Even more than that, it has
become abundantly clear since September 11 that America has ascended to
unprecedented economic and military heights, and it really is not easy to
explain how a country so corrupt to the core can remain for so long so
apparently successful on the surface. If we're so rotten, how can we be
so great?
It could be, as the bourgeoisophobes say, that America thrives because
it is spiritually stunted. It's hard to know, since most of us lack the
soul-o-meter by which the cultural pessimists apparently measure the
depth of other people's souls. But we do know that despite the alleged
savagery, decadence, and materialism of American life, Americans still
continue to react to events in ways that suggest there is more to this
country than "Survivor," Self magazine, and T.G.I. Friday's.
Confronted with the events of September 11, Americans have not sought
to retreat as soon as possible to the easy comfort of their great-rooms
(on the contrary, it's been others around the world who have sought to
close the parenthesis on these events). President Bush, a man derided
as a typical philistine cowboy, has framed the challenge in the most
ambitious possible terms: as a moral confrontation with an Axis of Evil.
He has chosen the most arduous course. And the American people have
supported him, embraced his vision every step of the way--even the people
who fiercely opposed his election.
This is not the predictable reaction of a decadent, commercial people.
This is not the reaction you would have predicted if you had based your
knowledge of America on the extensive literature of cultural decline.
Nor would you have been able to predict the American reaction to recent
events in the Middle East, which also differs markedly from the
European one. Just as the French anti-globalist activist Jose Bove, heretofore
most famous for smashing up a McDonald's, senses that he has something
in common with Yasser Arafat (whom he visited in Ramallah on March 31),
most Americans sense that they have something in common with Israel in
this fight. Most Americans can see the difference between nihilistic
terrorism and a democracy trying fitfully to defend itself. And most
Americans seem willing to defend the principles that are at stake here,
even in the face of global criticism and obloquy. In this, as in so much
else, George Bush reflects the meritocratic capitalist culture of which
he is a product. While the rest of the world was lost in a moral fog,
going on about the "cycle of violence" as if bombs set themselves off
and the language of human agency and moral judgment didn't apply, the
Bush administration, by and large, has been clear.
IN THIS and many other aspects of the war on terrorism, the American
leaders and the American people have been stubborn and steadfast. Just as
the American people patiently persevered through a century of fighting
fascism and communism, there is every sign they will patiently
persevere in the conflict against terrorism, which is really a struggle against
people who despise our way of life.
Maybe the bourgeoisophobes were wrong from the first. Maybe they were
wrong to think that 90 percent of humanity is mad to seek money. Maybe
they were wrong to think that wealth inevitably corrupts. Maybe they
were wrong to regard themselves as the spiritual superiors of middle-class
bankers, lawyers, and traders. Maybe they were wrong to think that
America is predominantly about gain and the bitch-goddess success. Maybe
they were wrong to think that power and wealth are a sign of spiritual
stuntedness. Maybe they were wrong to treasure the ecstatic gestures of
rebellion, martyrdom, and liberation over the deeper satisfactions of
ordinary life.
And if they weren't wrong, how does one explain the fact that almost
all their predictions turned out to be false? For two centuries America
has been on the verge of exhaustion or collapse, but it never has been
exhausted or collapsed. For two centuries capitalism has been in crisis,
but it never has succumbed. For two centuries the youth/the artists/the
workers/the oppressed minorities were going to overthrow the staid
conformism of the suburbs, but in the end they never did. Instead they
moved to the suburbs and found happiness there.
For two centuries there has been this relentless pattern. Some new
bourgeoisophobe movement or figure emerges--Lenin, Hitler, Sartre, Che
Guevara, Woodstock, the Sandinistas, Arafat. The new movement is embraced.
It is romanticized. It is heralded as the wave of the future. But then
it collapses, and the never-finally-disillusioned bourgeoisophobes go
off in search of the next anti-bourgeois movement that will inspire the
next chapter in their ever-disappointed Perils of Pauline journey.
Perhaps, on the other hand, September 11 will cause more Americans to
come to the stunning and revolutionary conclusion that we are right to
live the way we do, to be the way we are. Maybe it is now time to put
intellectual meat on the bones of our instinctive pride, to acknowledge
that the American way of life is not only successful, but also
character-building. It inculcates virtues that account for American success: a
certain ability to see problems clearly, to react to setbacks
energetically, to accomplish the essential tasks, to use force without succumbing
to savagery. Perhaps ordinary American life mobilizes individual
initiative, and the highest, not just the crassest aspirations. Maybe
Baudrillard, that infuriatingly appreciative Frenchman, had it right when he
wrote about America, "We [Europeans] philosophize about a whole host of
things, but it is here that they take shape. . . . It is the American
mode of life, that we judge naive or devoid of culture, that gives us
the completed picture of the object of our values."
Because the striking thing is that, for all their contempt, the
bourgeoisophobes cannot ignore us. They can't just dismiss us with a wave and
get on with their lives. The entire Arab world, and much of the rest of
the world, is obsessed with Israel. Many people in many lands define
themselves in opposition to the United States. This is because deep down
they know that we possess a vitality that is impressive. The Europeans
regard us as simplistic cowboys, and in a backhanded way they are
acknowledging the pioneering spirit that motivates America--the heroic
spirit that they, in the comfort of their welfare states, lack. The Islamic
extremists regard us as lascivious hedonists, and in a backhanded way
they are acknowledging both our freedom and our happiness.
Maybe in their hatred we can better discern our strengths. Because if
the tide of conflict is rising, then we had better be able to
articulate, not least to ourselves, who we are, why we arouse such passions, and
why we are absolutely right to defend ourselves.
Press here for interviews and speeches.
press here for articles written by Binyamin Netanyahu.
press here to learn more about the Palestinians.
David Brooks is a senior editor at The Weekly Standard.
© The Weekly Standard, 04/15/2002, Volume 007, Issue 30.
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